Selected Compositions for Piano

By Timothy Polashek

 

 

 

 

 

Timothy Polashek performing "Improvisation" (2002), Oconto Falls, Wisconsin

 

 

 

Elaine Moss performing "Porcupine Quest" (2002), Oconto Falls, Wisconsin

 

Download "Porcupine Quest" Score

 

 

 

Stephen Gosling and Eric Huebner performing "Kite Sonata for Two Pianos" (2003), Bronx, New York

 

Download Score: "Kite Sonata: Movement 1"

Download Score: "Kite Sonata: Movement 2"

Download Score: "Kite Sonata: Movement 3"

 

 

 

Joanne Chang performing "Concerto for Disklavier and Pianist" (2005) at Symphony Space in New York, New York

 

Movement I: Salutations

Movement II: Choreography

Movement III: Duets

 

 

Year of Composition: 2004

Length: approximately 31 minutes

 

The Concerto for Pianist and Disklavier (2004) is a musical discourse between a soloing pianist and a computer-controlled player piano taking the role of the orchestra.  This discourse takes place on a single instrument, a Disklavier manufactured by Yamaha Corporation.  At times the pianist plays in a traditional manner, but at other times is superseded or joined by the piano playing itself.  A computer program, written by the composer particularly for this work, drives the piano mechanisms.  This computer program is aware of the actions of the pianist through transmissions from sensors that capture the pitch and loudness of played notes and the positioning of the foot pedals.  At times the computer program simply directs the piano to play fixed material, at other times the computer interactively generates arpeggio-based motives derived from, and extending the nuances of, the pianistÕs performance.

 

The computer-controlled mechanical piano can play notes and series of notes in a manner that the human performer, with limits of ten fingers and an armÕs reach, cannot.  The musical discourse made possible by this assembled technology contrasts the dynamic power and rhythmic precision of the mechanical piano with the creative touch and expression brought by the human performer.  As this interplay unfolds in performance, one may notice, while listening, the performers reacting to each other, often exchanging roles as they share musical ideas and learn each otherÕs musical language.